Performer Bios

Tal Naccarato – January 29, 2017

Italo ‘Tal’ Naccarato, is a roots and country blues artist, Piedmont fingerstyle composer, and occasional street singer. He was born in the in the Apennine mountain range in the South of Italy, raised in New York City, and currently resides in both the Hudson Valley and in Louisville, Kentucky. When not playing at a festival or club, Tal can sometimes be spotted performing on the streets of NYC, Nashville, New Orleans, the Florida Keys, Amsterdam, or Paris, playing traditional American Roots music and “following the weather” in the Piedmont fingertsyle and country blues traditions.

Tal was most recently featured as a Solo Acoustic Performer at the ‘MerleFest’ Festival in North Carolina, and has deservedly taken his place amongst the very best players of country blues worldwide, performing his own original brand of Roots & Folk Blues music. Beside guitar, he plays banjo and blues harp.

His latest project, “Dreamflower Sessions”, recorded live in studio, was released in early 2016. Tal’s solid songwriting skills, easily identifiable vocal style, quirky ‘behind the beat’ tempos, signature slide guitar technique and fresh, authentic, and unique approach to the genre has cemented his slot in the Roots/Folk/Blues world as a superlative, highly original traditional player and composer with a deep love of country blues music.

Peter Mulvey – February 5, 2017

Known for his warm, smartly discursive originals, striking guitar technique, and a big, generous heart, Peter Mulvey has earned his national following as a singer-songwriter and esteemed indie folk/rock musician through two decades of intense touring spanning the continent.

Mulvey’s 2015 YouTube recording of his song “Take Down Your Flag”—a response to the Charleston murders of Reverend Clementa Pinckney and eight other members of a Bible study group—had writers and singers adding verses to his song online, and helped raise donations for the Emanuel AME Church.

As a student at Marquette University, Mulvey studied theater, then traveled overseas and honed his skills as a street musician in Dublin. At one point, unemployed in Boston, Mulvey earned a living with his guitar busking ten-hour days in the subway. Over time his reputation has grown with some-twenty CDs, awards, music videos, and spontaneous, on-the-road YouTube clips.

In addition, Mulvey has done a TedX talk, organizes week-long festival that includes luthiers as well as musicians, does a yearly concert in a West Virginia cave for the National Youth Science Camp, and embarks yearly on a tour by recumbent bike covering well-known clubs in the Northeast.

Beaucoup Blue — February 12, 2017

“This powerful yet gentle father-and-son duo gets their audience lost in reverie with arrestingly soulful music. Their original songs blend folk, R&B, jazz, country, and bluegrass together in songs that might be classics, or might just sound like it.”  – Sarah Craig, Caffe Lena

Beaucoup Blue is the Philadelphia-based father and son duo, David and Adrian Mowry. Adrian grew up watching his father perform in coffeehouses and clubs, but discovered the guitar on his own and learned his chops in his own band. Some well-received party gigs launched them as a duo. Over the course of several albums, they have crafted original songs that pull together eclectic influences to extend the reach of Americana music. Besides being in the top 40 of Americana radio playlists, they have won first prizes in songwriting, one in Billboard Magazine’s 2010 contest, and another in the Blues & Brews Acoustic Contest in Telluride. Their voices—one, mature and mellow, the other a higher keening tenor—along with David’s plaintive slide guitar and the pulse of Adrian’s picking underscore the drama in their haunting melodies and soulful lyrics.

Sally Rogers & Howie Bursen – February 26, 2017

Since their first meeting in a 1981 Greenwich Village café, Sally Rogers and Howie Bursen have fostered rich musical lives, both independent and intertwined.

Sally is known for her clear soprano, strong interpretations of the folk repertoire and original songs. Peggy Seeger has praised Sally’s “clear, fluid and remarkably agile voice, keen sense of drama, and a most refreshing sense of fun.” Besides decades of touring and recording, Sally has used her music in careers as an educator in Connecticut schools, a developer of an arts-based literacy program, as the author of a children’s book, composer of church music, and as a scorer of Mennonite folk operas. In 1997 Sally was designated Connecticut’s State Troubador, a position which she used to teach and encourage residents to write songs about the places they know.

Howard Bursen came to Cornell in the late ‘60s to study philosophy in the experimental Six-Year PhD program. Even as a student, he was making a name as a folksinger with a warm baritone and as a wonderful guitarist. He became one of the foremost practitioners of clawhammer-style banjo with triplet riffs described as gravity-defying. Howie was one of the first performers for Phil Shapiro’s fledgling live folk-music radio program “Bound for Glory. After a stint teaching at Wells College, he left academia to become a wine-maker, first in the Finger Lakes, then at Sharpe Hill Vineyards in Connecticut.

Mustard’s Retreat–March 5, 2017

Mustard’s Retreat, longtime folk duo from Michigan, has had a loyal following in Ithaca since the 1970s. Michael Hough and David Tamulevich—Connecticut sons, songwriters, former choir members, and erstwhile graduate students—met in 1974 as short order cooks in Ann Arbor. After a well-received open mic appearance at The Ark coffeehouse led to more gigs over the next eighteen months, they started a full-time music career that has lasted over four decades with more than a dozen acclaimed CDs, thousands of festival and club gigs, and more than a million miles of touring. Their performances are known for warmth, wit and energy, and their songs, such as “Mallon’s Bridge”, “Gather the Family”, and “Pay the Toll” have become staples of contemporary folk radio. One song, “A Simple Faith”, with its simple, embracing chorus, has passed into iconic status, relayed voice to voice, seeming to arise from a deep traditional American spirit, reflecting hope and inclusiveness.

Spike Barkin, who produced the Roots of American Music Festival at Lincoln Center, praised Mustard’s Retreat for their style of “folk from the heart,” adding that David and Michael “take your living room on the road with you and invite people in as friends.”

Reverend Robert Jones and Matt Watroba— March 12, 2017

The Rev. Robert Jones, Sr., and Matt Watroba met over twenty years ago when each hosted back-to-back radio programs in Detroit. Sharing a love of traditional American music, they have forged a personal friendship over the years.
As performers and teachers, they seek to revive and instill appreciation for the history, social change, and migration in the lives of all Americans through folk songs, blues, spirituals, work songs, and chants.
The Rev. Robert Jones was born in Detroit. Ordained into the Baptist ministry in 1989, he is pastor of the Sweet Kingdom Missionary Baptist Church in Detroit. As a performer and story-teller he has performed all over America and Europe. In 2007, the National Blues Foundation named him “Educator of the Year”.
Matt Watroba was also born in Detroit and raised in Plymouth, MI. After teaching for a dozen years in the Plymouth-Canton public schools, his interests in music and education drew him both into writing, where he has published many pieces in Sing Out! magazine, and into radio, where for 20 years he hosted WDET-FM’s Folks Like Us, and syndicated media programs Sing Out! Radio Magazine and Folk Alley. In 2000, the Detroit Music Awards dubbed him “Best Overall Folk Performer”.

Joe Jencks–March 19, 2017

“The key to the future is people joining in. The music of Joe Jencks captures this essential spirit. Joe is a fantastic singer who carries on the traditions.” –Pete Seeger

Joe Jencks is an international touring performer, songwriter, and educator, based in Chicago, IL. He has spent the last 18 years touring full-time from concert halls to coffee houses, festivals, spiritual communities, and schools. His songs have traveled to every continent, and he is noted for his unique merging of musical beauty, social consciousness, and spiritual exploration. Joe has won numerous songwriting awards.

Jencks has “the passion of gospel singer, the knowledge of a classical vocalist, and the soul of an Irish tenor.” On the stage, in the studio, or in the classroom, Jencks applies conservatory training to contemporary genres, bridging styles and techniques. “Links In A Chain” is Jencks’ 7th solo CD, released in the fall of 2009. He’s also in demand as a vocal arranger with over 30 recordings as guest artist, harmonist and arranger.

In 2010, Jencks co-founded a dynamic new trio called Brother Sun with colleagues Greg Greenway and Pat Wictor. The trio performs widely throughout the United States and Canada. Brother Sun’s CD “Weights & Wings” was at the top of the 2016 Folk DJ Chart.

The Cadleys–March 26, 2017

The Cadleys have each been involved with music in the Syracuse area for many years, John as a songwriter and member of area bluegrass bands, Cathy as a singer and church’s music director. The two started playing as an acoustic duo, Cadley & Wenthen. After marrying in 2012, they’ve performed as The Cadleys, bringing together two wonderful instrumentalists and two beautifully blended voices to traditional covers and original songs.

At 13, John Cadley picked up the guitar and was drawn to the virtuoso picking of Lester Flatt and Earl Scruggs. After getting a master’s degree in public communications he started work as an ad copywriter, eventually becoming associate creative director at Eric Mower and Associates, all the while continuing to play and write songs. He went on to join and form bluegrass bands, such as Cripple Creek and The Lost Boys. Cadley has often said that, “My writing is Bill Monroe meets Jackson Brown.” One of his songs, “Time” with vocals by Lou Reid and harmonies by Vince Gill and Ricky Skaggs, reached #1 on national bluegrass charts.

Cathy began learning guitar at age 11 from her uncle Ed Hamell who had an international reputation as a singer/songwriter. Cathy became adept at classical, jazz and bluegrass flatpicking guitar styles as well as clawhammer banjo. She serves as the music director for Fayetteville’s Immaculate Conception Church.

Davey O — April 16, 2017

“A journalist’s eye for detail and poet’s ear for the well-turned observation.” — Jeff Miers, Buffalo News

Armed with a steady, rhythmic pulse on his Gibson guitar, a battered straw cowboy hat, and a no apologies rust-belt work ethic, Buffalo, NY born and bred songwriter Davey O. is equal parts songwriter and storyteller. He has earned the respect of his peers for his dedication to the art of song craft. Davey crafts pure Americana that is not of social and political consciousness, but drawn from the well of experience and human emotion.

In 2012, Davey’s album “Testing For Rust” spent 11 weeks in the Top 25 on the Roots Music Report in New York State. In 2014 his seven-song EP, “No Passengers”, debuted as a Top 20 album on the Folk DJ Charts, and remained a Top 25 Contemporary Folk CD on the Roots Music Report for five months.

Davey is releasing his latest album, “A Bright Horizon Line” in 2017. He is joined on it by veteran folk artists Tracy Grammer (background vocals), and Pat Wictor (dobro), as well as up and coming artists Matt Nakoa (piano), and Eric Lee (mandolin, fiddle).

Joe Crookston — April 23, 2017

“At every festival I hope to find the gift of one artist whose songwriting and performance stand out. Joe Crookston was that gift for me this year at the Philadelphia Folk Festival. Stunning performance, great songs, and not a word wasted! I LOVE That!”—David Francey, Songwriter

Songwriter, guitarist, painter, fiddler, slide player, Eco-Village member and believer in all things possible, Joe Crookston is a master storyteller on the creative edge. His music swirls with themes of lightness, darkness, clocks ticking, fiddle looping, weeping willows, slide guitar bending, cynicism, hope, and the cycles of life and rebirth. With unwavering courage to be himself, he is literate, poignant and funny as hell.

Joe says, “I’m learning to trust my voice as a songwriter. Be who I am. Trust the stories and follow no trends. More and more I find that when I tell my true story, it has wider breadth, deeper impact, and resonates more clearly.” His music has been recorded and performed by Irish harpers, a cappella gospel choirs, solo artists, and bluegrass bands.

Joe has taught at many retreats including SummerSongs, The Swannanoa Gathering in North Carolina, and the Yearly Quaker Gathering in Rhode Island. He was named the 2016 Folk Alliance International Artist-in-Residence.


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