2018 Fall Shows

November 11—Home Remedy

Home Remedy is the duo of Rosie Newton and Lydia Garrison, both from Ithaca, New York. They sing original songs in harmony, written on fiddle, banjo and guitar, and sometimes accordion. They also play traditional Old Time & Cajun/Creole fiddle & accordion tunes, and sing a few songs from the “Americana” cannon: Old Time, Country, Bluegrass, and Folk.

Rosie Newton grew up immersed in the rich folk music scene of Woodstock, NY, and began playing the fiddle when she was eight. Newton attended college in Ithaca, NY, where she studied Viola. While in Ithaca, she found herself swept up by the area’s music scene, which infused her with a deep appreciation for the beauty and diversity of roots music. Newton’s interests span a wide range of musical styles, from Irish and old time to country and zydeco.

Lydia Garrison’s mother, Gay Garrison, had a passion for Cajun and Zydeco music and dance which took the family to many regional music festivals, and as far as Louisiana. Lydia started learning violin at school at age 8, but after three months when the students had to learn to read music, it stopped being fun and Lydia promptly quit with no regrets. After starting out on the Cajun triangle to sit in with her mom’s Cajun band, Lydia began learning Old Time banjo and fiddle as well as Cajun fiddle. Gay taught Lydia the guitar, and the guitar got Lydia started with writing songs. In college, Lydia was fortunate to do a musical study abroad in Bamako, Mali (West Africa) where she studied the Jeli Ngoni—a great-great-grandmother of the American banjo.


November 18—Debra Cowan

“Debra has a voice which beautifully combines Celtic and Appalachian sensibilities…deeply satisfying, lyrical and musically elegant.” -Roseanne Cash

Following a life-long desire to sing and perform, Debra Cowan left her job as a California middle school math teacher in 1997 and went to live in Edinburgh, Scotland for six months. There she learned the art of unaccompanied singing and upon her return to the USA in 1998 began traveling all over New England performing at any open mike within 100 miles of her new home in Springfield, Massachusetts. Almost 20 years later, she is now a full-time performer who bridges the old and new with a refreshing stage presence. She can be seen in many venues, heard on both terrestrial and internet radio world-wide and will travel anywhere to sing. Her four recordings have been met with high praise and in June 2015, she was featured in the UK folk music magazine, Living Tradition. She tours extensively in the United Kingdom and in North America and can also be seen on stage with her good friend, singer and musician John Roberts. When Debra isn’t touring internationally or busy with her activities as American Federation of Musicians (USA) Local 1000 Vice-President, she makes her home near Worcester, Massachusetts.


December 2—Cosy Sheridan

“A Buddhist monk in a 12-step program trapped in the body of a singer/songwriter.”—The Albuquerque Journal

Cosy Sheridan first caught the attention of national folk audiences in 1992 when she won both the Kerrville Folk Festival’s NewFolk Award and The Telluride Bluegrass Festival Troubadour Contest. Soon after, she released her critically-acclaimed debut CD Quietly Led on Waterbug Records. She has been on the road ever since, playing clubs, concert halls and coffeehouses from Seattle to Berkeley and across and across I-80 to Omaha, Chicago and then to Boston where she now makes her home. On her new CD, Sometimes I Feel Too Much, she writes of these years on the road in her song Woody Guthrie “Watch Over Me”. She’s released ten CDs, taught songwriting at workshops and camps across the country, and written a one-woman-show entitled The Pomegranate Seed – An Exploration of Appetite, Body-Image and Myth. Cosy Sheridan is one of the most respected touring musicians on the folk circuit, appearing everywhere from Carnegie Hall to the Jerry Lewis Telethon and the Philadelphia Folk Festival. For the past 20 years she has taught classes in songwriting, performance and guitar at workshops and adult music camps across the country including The Puget Sound Guitar Workshop and The Swannanoa Gathering.

Her concerts are wide-ranging explorations of modern mythology (meet Hades the Biker), love songs for adults, contemporary philosophy for the thoughtfully-minded, children’s stories woven into tales of modern adulthood, and her signature parody on aging and women. Throughout this journey, her lyrical dexterity is backed by her distinctive, percussive bluesy-gospel guitar style. Cosy brings a depth of experience to her craft.